Godfather II :: essays papers

Godfather II The received importance of any movie cant be adequately appraised solely by box accountability success or slender response. The Godfather go against II is an example of how a carefully crafted sequel to a great acquire can become both a box mightiness and minute success when attention is paid to its artistic quality. The movie continues the tale of the Corleone family, and presents to the viewing audience a world filled with greed and betrayal, family union and loyalty. A fellow traveller piece in the truest sense of the term, The Godfather erupt II earned as much praise as its predecessor, if not more. Earning twelve Academy distribute nominations, the second inst whollyment has been rightfully hailed as the best sequel of every last(predicate) time. While The Godfather, Part II did not exceed the box office gross of the original, the movie can still be considered a blockbuster, and not at all a flop.The Godfather earned instant success when it was fres hman released in 1972. Earning both praise from critics and box office success, making close $135 million, the movie became an instant classic. One of the reasons for the high status of The Godfather Part II lies in the fact that the movie was composeed by the same former with the same intent in mind. While other sequels usually mete out as nothing more than easy way for unimaginative producers to hard currency on front successes, The Godfather Part II was a nice probability for Coppola to experiment, correct some possible flaws or even answer to critics of his old work. (Dragan Antulov, IMDB) The biggest and most serious objection to The Godfather was Coppolas allegedly apologetic portrayal the Mafia. Coppola was charge of showing organized crime as being more horrible and less violent than it actually was. His Mafiosi are shown as dedicated family men, contend to narcotics and any unnecessary violence, and in some way even smash alternative to legitimate government. In the second movie, Coppola intended to use the tale of the initiative part to paint more satisfyingistic and, consequently, much darker picture. endorsement financial success did not follow The Godfather Part Two as it did the first movie. The reason was created due to the fact that the second movie correspond one of the examples of the now generally despised practice in red-brick Hollywood, making sequels out of the successful, great movies.Godfather II essays papersGodfather II The real importance of any movie cant be adequately appraised solely by box office success or critical response. The Godfather Part II is an example of how a carefully crafted sequel to a great enter can become both a box office and critical success when attention is paid to its artistic quality. The movie continues the tale of the Corleone family, and presents to the viewers a world filled with greed and betrayal, family union and loyalty. A attendant piece in the truest sense of the te rm, The Godfather Part II earned as much praise as its predecessor, if not more. Earning twelve Academy destine nominations, the second installment has been rightfully hailed as the best sequel of all time. While The Godfather, Part II did not exceed the box office gross of the original, the movie can still be considered a blockbuster, and not at all a flop.The Godfather earned instant success when it was first released in 1972. Earning both praise from critics and box office success, making about $135 million, the movie became an instant classic. One of the reasons for the high status of The Godfather Part II lies in the fact that the movie was authored by the same author with the same intent in mind. While other sequels usually distribute as nothing more than easy way for unimaginative producers to hard cash on previous successes, The Godfather Part II was a nice prospect for Coppola to experiment, correct some possible flaws or even answer to critics of his previous work. (Dr agan Antulov, IMDB) The biggest and most serious objection to The Godfather was Coppolas allegedly apologetic portrayal the Mafia. Coppola was charge of showing organized crime as being more shocking and less violent than it actually was. His Mafiosi are shown as dedicated family men, opposed to narcotics and any unnecessary violence, and in some way even mend alternative to legitimate government. In the second movie, Coppola intended to use the theme of the first part to paint more realistic and, consequently, much darker picture. blinking financial success did not follow The Godfather Part Two as it did the first movie. The reason was created due to the fact that the second movie represent one of the examples of the now generally despised practice in newfangled Hollywood, making sequels out of the successful, great movies.